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This is an All Ages event.

 

Saves The Day have been through a lot over the past two decades: Van accidents,

member changes, the emo explosion, and the adventures that carried the act and their

fans from adolescence to adulthood. But they've never had a proper history of the band...

until now. Saves The Day's ninth album 9 tells the story of the band from the perspective

of the band's founder Chris Conley and does it in a way that's as exhaustive as it is

poetic and makes the listener a part of the songwriting process. From a narrative

standpoint, 9 chronicles the epic story of a group of kids from New Jersey who realized

their dream and became international sensations. However, on a more existential level, it

shows how Conley “woke up” and became aware of his own consciousness through his

relationship with music and the unbelievable adventures it inspired since he formed the

act in 1997.

“A lot of the memories that I write about in the lyrics for this album I haven't written

about because they were too painful or complicated. But for some reason when I was

writing, my brain kept coming back to thinking about my entire career from a sense of

reflection for the first time,” Conley says of the process of writing the follow-up to

2013's Saves The Day. 9 opens with the upbeat “Saves The Day,” which serves

simultaneously as a mission statement and love letter to fans before segueing into

“Suzuki,” a song that features the opening line, “On a black and red couch playing a

burgundy Les Paul I played on Can’t Slow Down so many years ago, writing album

number nine right now.” Then again, this meta sentiment isn't so surprising coming from

someone who famously penned lines like, “You want to know who I really am, well so

do I” on the song “See You” from the landmark 2001 album, Stay What You Are.

From there the album takes you back to the earliest days of the band's history of playing

house shows on the crunchy, riff-driven “Side By Side” and drops you into what it's like

to be to on tour with your best friends when all cylinders are firing on the instantly

catchy, psychedelica-tinged “Kerouac & Cassady.” Next we move onto the band's

unplanned rise to stardom and relentless work ethic on the driving and uplifting rocker,

“It's Such A Beautiful World.” “This song is about the Through Being Cool era and

things are starting to heat up,” Conley says of the latter track, which sounds like an

unholy amalgam between Weezer and glam metal. “At this point we are flying to

performances all over the world so in the first stanza I say, 'If we get stuck on a plane,

we’re skydiving to the show.' It's such an incredible life to get to live and we were nuts

for it and enjoying every second of it.”

Unfortunately with every cataclysmic rise to fame comes the ensuing pitfalls of ego and

excess and that's what Conley tackles on “Rosé.” “That song is a bit of a dis track about

certain rock star elements that started to be displayed in the band and I was kind of

surprised that I wrote about it because it isn't something that I've thought about in a

while,” Conley says. The song also sees him approaching the vocals in a way he never

has before that unfolds itself more with each subsequent listen and is as ambitious as it is

artistic. This is followed up with “1997,” which sees Conley once again reflecting on the

band's early days over a distorted bass line and groove that's invitingly relentless and

calls to mind an emo version of Van Halen.

Finally, we arrive at “Rendezvous” and how grateful Conley is of the current lineup of

the band, which includes the virtuosic trio of guitarist Arun Bali, bassist Rodrigo Palma

and drummer Dennis Wilson, who are the band's most consistent lineup to date and take

the musicianship on 9 to stratospheric new heights. “At this point, I've actually dealt

with the conflicts and the challenges in a lifelong career in music and now I have the

guys that I could do this with forever and I'm living the dream again. Life is beautiful, so

I intentionally reference the song 'It's Such A Beautiful World' in the lyrics because that

song is about when things were going crazy for us and we were all so excited,” Conley

says of “Rendezvous” which is layered in distortion-drenched perfection. “We're

through all the reflecting and growing at this point, and we're still out here, and we're

still doing it so the timeline essentially ends with 'Rendezvous' looking into the future.”

However, it wouldn't be a Saves The Day album without a surprise twist--and in this

case it's the album's 21-minute-long climax, “29.” “The final track is seven songs in one

and it's the internal personal timeline of my entire life,” Conley explains. “It starts with

'Heartbeat' because I was hypnotized by that sound as a kid and literally it's my first

experience of waking up to life itself,” Conley explains. The finale goes on to introduce

Conley's love affair with music via “So In Love”; Saves The Day's near fatal van

accident in 2000 on “432”; and a difficult rift with a longtime friend on “Tangerine.”

“One of my main artistic passions is the fascination with how you can compose

extremely long pieces of music but also hold the attention of the listener,” Conley says –

and correspondingly “29” sounds less like prog-rock excess and more like an album

unto itself. Subsequently the movement “Victorian & 21st” recounts Conley's meeting

with a longtime partner; “Angel” is a tribute to his daughter; and the epic experiment

ends with “New Jersey,” which sees him reflecting on his relationship with his parents

and his sometimes difficult but always captivating past one last time, culminating with

the line, “I know it’ll be all right, we are alive in the world.”

Ultimately 9 is sonic evidence not only that there's a reason we are alive in the world,

but it's a miracle that Conley rightfully encourages us to celebrate.



The TLA is a general admission standing room only venue for most events, unless otherwise noted.

  

For your own safety, lining up outside of the venue for entry is not permitted more than one hour prior to the scheduled door time. Any General Admission ticketholders who arrive at the TLA prior to this time will be asked to leave the venue/line-up area and return at the designated time. If applicable, VIP and/or Pre-Show Meet and Greet ticket holders may have permission to access the venue at various earlier times depending on their package. Please refer to your point of purchase for more info.

  

Large bags, backpacks and professional cameras will not be admitted to the venue, so we encourage you to leave them at home or in your car.

  

Please note that there is no re-entry once you have entered the venue. There are many fine eating establishments on South Street that we encourage you to visit prior to coming to the TLA! Once you enter, we offer light snacks at our concession stand. When possible, we offer a small smoking section outside (times open are at venue's discretion and admittance is based on capacity).

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